Saturday,  October 24 at 8:00 p.m.

There's no shortage of artists attempting to capture the raw, authentic sound of the 1920s and '30s, but no one is doing a better job of it in this modern age than Jerron Paxton. Heck, it could even be argued that the 24-year-old musician was actually born to be the current ambassador for acoustic blues and Appalachian folk, right down to the affliction that gave him his famous nickname: Blind Boy. Like two of his artistic idols, Willie McTell and Lemon Jefferson, Paxton is legally blind, losing most of his sight by the time he was 16. True, he can get around on his own for the most part, and it is a little curious to find him highlighting his vision problems as a connection to bluesmen of the past. But his playing and spirit come from a place of such passion and reverence that it is easy to forgive the convenience of his stage name.

Paxton comes by his love of the music honestly. His grandparents and many of his neighbors in Los Angeles were transplants from the South, bringing with them plenty of old records and a deep knowledge of traditional blues, Creole and Cajun songs. Steeped in that history, Paxton started playing fiddle and banjo in his teens, mastering both of those before moving on to guitar and piano.

 Some criticize Paxton for playing the part a little too strongly. Beyond simply billing himself as Blind Boy, he dresses and acts like a bluesman transplanted from some dusty Mississippi porch of the past to the 21st century. He has a penchant for vests or overalls worn with dress shirts buttoned all the way to the top, and lays on the hokum humor a little thick between songs, even if he does let a few modern references creep into the mix. 

But, again, as New York Times critic Ben Ratliff wrote in a review of one of Paxton's performances in 2010, "If you're good enough, everything else falls into place."

 Paxton certainly is that, and for fans hungry for an authentic blues experience, he's one of the most popular traditionalists around. Quite a coup considering that he has very little recorded material available for consumption. His reputation has grown almost entirely by word of mouth and with the help of a few dozen YouTube clips of his live performances. 

Robert Ham  The Oregonian  July 03, 2013


Jerron "Blind Boy" Paxton




Jerron "Blind Boy" Paxton (born January 26, 1989) is an American musician from Los Angeles. A vocalist and multi-instrumentalist, Paxton's style draws from blues and jazz music before World War II and is influenced by the likes of Fats Waller and "Blind" Lemon Jefferson

Originally from the Watts district of Los Angeles, Paxton's grandparents moved from Louisiana to California in 1956.These southern roots would have a somewhat strong influence on Paxton as a young boy. After spending time listening to his hometown blues radio station, as well as the old Cajun and country blues songs his grandmother used to sing, Paxton became interested in these early sounds, developing a breadth of knowledge pertaining to such music along the way. He began playing the fiddle when he was twelve, only to pick up the banjo two years later. As a teenager, he began to go blind, losing most of his eyesight by the age of 16. Since his childhood, he has added piano, harmonica, Cajun accordion, ukulele, guitar, and the bones to his musical arsenal, although the banjo was his first serious instrument.  In addition to blues and jazz, he uses these instruments to play Ragtime, Country blues, and Cajun music.

In 2007, Paxton moved to upstate New York to attend college and soon after began playing gigs in and around the Brooklyn area. Although not signed to a record label, he continues to play old-time, blues, and roots festivals throughout the United States, as well as various shows opening for old-time string bands including The Dust Busters.

Paxton's talent and contributions to acoustic blues have earned him comparisons to contemporary artists such as Taj Mahal, Keb' Mo', and Corey Harris.  Similar to groups such as the famed Carolina Chocolate Drops, he is one of the few contemporary African-American banjo players touring today.



Saturday, November 28 at 8:00

 For over 10 years, Kathryn Claire has been a force in the celtic and folk music scenes in the Pacific Northwest. Her diverse musical career has spanned a wide range of genres and she has been an integral part of many music projects. From her early days with Eugene-based Irish/punk pub band, Toad in the Hole, to co-founding and fronting Portland based all-star band Circled by Hounds with Matthew Hayward-Macdonald, to her extensive and award-winning collaboration with Hanz Araki from 2010-2013, Kathryn Claire has continually been evolving as a singer, guitarist and fiddle player. Her deep love and respect for traditional music has long been a driving influence, and those roots are evident in her music.

Kathryn has released 4 solo albums of original music over the past 10 years, and is completely at home both the roll of front person or side person. Her charismatic presence and infectious smile have made her a favorite at venues and festivals around the world. She has toured and performed extensively in the US, Japan, India, Holland, Belgium and France.

Over the past year, Kathryn has been honing a unique sound that draws from her diverse musical background. The sound is energized, inspired and eclectic, yet there is a distinctive sound that is her own.

"There is something magic that happens when the five of us play together. There is a deep and abiding sense of respect that is shared between us, and our diverse backgrounds complement each other beautifully, making for a fresh sound."  Kathryn Claire.

Zak Borden has put down roots in many musical disciplines. In his late teens, he fell in love with bluegrass music. As it does for so many, that fertile American hybrid introduced him to a world of other styles: from the country soul of The Band to the lilting traditions of Ireland; from modern string band takes on Thelonious Monk to the syncopated rhythms of Brazil. However, as a performer and educator he soon came to find that it was really just passionate, well-played and interesting music that he loves; Music that connects and tells a story. Zak's shows employ nimble picking on guitar or mandolin and a deep baritone voice that leaps easily into a clear, high tenor.

Kathryn Claire

and the Dream Band


Don Henson's band, Sneakin Out, has played various stages with Pink Martini, on The Tonight Show with Jay Leno and also has opened for K.D. Lang and graced the stage of Carnegie Hall. 

Allen Hunter has been playing live and recording with Portland area songwriters and bands for the past 20 years and has been touring internationally for the past 10 years with LA-based band, Eels. He has also recorded with the Eels on Vagrant Records, Michael Dean Damron & Thee Loyal Bastards on Rosa Records, Black Angel, James Low, Alan Charing, The Vibrasonics, and Jim Mesi to name a few. 

With an upbringing split between the hills of Appalachia and the heart of New York City, Ara Lee's dichotomous childhood made for a unique musical education. Ara cut her teeth fiddling and singing in the folk and gospel traditions of Tennessee, and then lived a second life in New York as an R&B and blues soloist, studio and commercial vocalist, and back-up singer. In her current incarnation as a singer-songwriter based in Portland, Ara's powerful, soul-infused vocals combined with the simplicity of acoustic folk create a style uniquely her ownone that has been perhaps best described as "Soul-folk-tribal-funk-heathen-gospel butter."



Dirty Cello
          Cello like you have never heard it before.

 Saturday January16 at 8:00 P.M.

Starting with a bang and never stopping, Dirty Cello features the virtuosic cello stylings of Rebecca Roudman, one of the San Francisco bay area's most exciting cross-over cellists. Dirty Cello takes you on a wild tour of up-tempo music featuring down home blues, Eastern- European dance music, a bit of bluegrass, and some classic rock.

With a truly unique voice, Dirty Cello presents a high energy performance of everything a cello can do. Having wowed audiences in numerous tours throughout the U.S., plus acting as cultural ambassadors to China and working the European festival circuit, Dirty Cello has a unique voice that’s resonated around the world.

Dirty Cello presents a clap along, danceable mix of music that puts a unique spin on common genres. Whether wailing out the blues with virtuosic skill, getting toes tapping with some gypsy jazz or flying through wild music, the Dirty Cello band presents a show that fans and critics have described as, “Amazing!” and “Inspiring."

As classically trained musicians who also love to rock out, the Dirty Cello band puts on a unique performance that shows a whole new side to the cello. Think B.B. King meets Yo-Yo Ma.

A rockin' band, a sexy cello player and an exciting stage presence make Dirty Cello a band that brings in the crowds and leaves them wanting more!



John Reischman and the Jaybirds



“On the evidence of Stellar Jays, John Reischman and the Jaybirds are in their prime as contemporary bluegrass musicians capable of maintaining and extending the music's legacy,” says Bluegrass Unlimited magazine describes tone-master and composer John as “one of the world's undisputed masters” of the mandolin, a frequent accolade since his days with the Tony Rice Unit and California's Good Ol' Persons. John went on to record two outstanding solo albums and numerous sessions before forming the Jaybirds in 2001 to release a self-titled debut album, followed by the Canadian Juno-nominated Field Guide, and in 2005, The Road West.

Saturday, April 16, at 8:00 p.m.

Years of European and North American tours, five critically acclaimed albums, two Juno nominations and two Canadian Folk Music Award nominations...little wonder, the buzz around John Reischman and The Jaybirds continues to grow. Like the mandolinist at its helm, the group fashions a stylish, elegant take on bluegrass that is at once innovative and unadorned, sophisticated and stripped-down, happily old-fashioned, yet unselfconsciously new. To see their live show is to believe it. A genial blend of story-telling and side-show humor provides the backdrop to their studied performance of original songs, instrumentals, and newly arranged traditional material.

Hailing from the variegated ranks of the contemporary West Coast acoustic music scene, each of these 'birds has certainly earned his wings: the list of projects they have contributed to over the years is nothing less than a short list of acoustic power houses. Together, their seamless ensemble work makes for one of the freshest, most tasteful band-sounds on the folk and bluegrass circuit today.

As FolkWax says, John Reischman and the Jaybirds offer “clarity, energy, good ensemble work, classy originals, and an adventurous approach” to the world of bluegrass and folk music — along with engaging stage humour in powerful live shows. They are what SingOut! calls “ thoroughly professional ensemble with a rare ability to produce music that is simultaneously traditional and contemporary . . . the Jaybirds are a band that continues to hit on all cylinders.”




Sally Barris



“Sally Barris has a voice like sparkling crystal. You could have knocked me over with a feather the first time I heard her.  Her writing is from a deep, yet innocent, place and her point of view is just a bit off center. I am excited for her, she is standing at the beginning of her journey in this town, with all of it ahead of her. It reminds me of the first time I heard Beth Nielson-Chapman or Nanci Griffith. It’s going to be fun to watch.”

- Kathy Mattea

Saturday, May 14, at 8:00 p.m.

Sally Barris is an A-list Nashville songwriter who has had songs covered by such top-level artists as Kathy Mattea, Martina McBride, and Lee Ann Womack. Her song “Let The Wind Chase You”, recorded by Trisha Yearwood and Keith Urban, received a Grammy nomination for vocal collaboration in 2009.

While her writing credits mightily impress, fans and peers are most captivated by her bright spirit and expressive mountain soprano.  Dirty Linen says “Barris knows how to write lyrics that are as forthright as a stream of clear water and how to support them with melodies that share that quality”.

When Sally is not touring solo, she is known as “Sister Waymore” in the power trio; The Waymores with Tom Kimmel and Don Henry.

In the last 3 years, the Minnesota native has performed Mountain Stage,  New Bedford Summer Fest,  The Wildflower Festival and The Kerrville Folk Festival. Sally is currently touring with her new cd “Wilder Girl”.




3 Leg Torso



"Daring, intelligent music!"

Lauren Ruth Wiener, Mongrel Music

Saturday, June 25, at 8:00 p.m.

Three Leg Torso formed in 1996 as a violin, cello and accordion trio that came together with the humble goals of creating a passionate and new sound for their instrumental trio and having fun. Fun was had early on with a number of street performances that the trio termed "Meestering". Over the following years the band expanded, the principal composers, founding members Béla Balogh (on violin and trumpet) and Courtney Von Drehle (on accordion) were joined by veteran percussionist-mallet player Gary Irvine, the fastidious mallets-percussion of Kyle MacLowry and the fiery upright bass player Michael Papillo. Their original repertoire evolved into a combination of Modern Chamber music, Tango, high energy Middle Eastern and Eastern European folk music, that, coupled with a cinematic sense of musical storytelling, bridged the worlds of serious art and popular culture. The group has been profiled on National Public Radio's "All Things Considered" and on Oregon Public Broadcasting's "Artbeat."

"3 Leg Torso is just about as creative as a group can get... music that is evocative, varied, non cliché"

Joe Natoli, Jan Press




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